The Art of Revealing « The Celtic Rebel.
Based on my research into the purpose/utility of mass-market movies, I have come to the conclusion that members of secret societies have infiltrated the medium at many levels, and use it (the medium) to push their social engineering agendas. I am furthermore of the opinion, that just as we see with false-flag events and crises, the cinematic construct is used for multiple purposes and via multiple means.

Before I enumerate them, I would very much like to give credit to Michael Tsarion, whose body of research has greatly inspired me, Michael Hoffmann, for his theories on the psychology behind the psychology, and Alan Watt for his insightfulness and common-sense philosophy.
I would also like to point out, that I am, for the most part, talking about mainstream movies which are written, directed and released with the intent of catering to a mass audience and going on to become “block-busters” [I can’t help but now wonder, if that term is supposed to carry the double entendre of a head/mind destructor]. Although I can’t say it with complete certainty, I feel that independent movies and foreign art-films wouldnormally be exempt.
Additionally, I would like preemptively address those readers whose own sense of skepticism or paranoia may soon lead them to ask, “They can’t ALL be in on it?”

The answer is no. Like any operation of espionage or infiltration, all it takes is few key people in a few key places. The rest are just your standard groups: useful idiots [“mindless repeaters”], culturally bankrupt and brainwashed dolts who would do anything for a fame & fortune, legions of Zionist crusaders afraid to question the morality of their dogma (because they don’t realize that Judaism and Zionism are two entirely separate entities), and lastly, the most useless people on the West Coast, the soul-less mind-controlled zombies which we call Scientologists. {*1}
So, without further adieu [or inflammatory opinions], I present my theory on the six facets of movies as a tool of social engineering:
1. As a superficial means to sell products. Placement, placement, placement. Product placement. One can’t help but notice dozens of periphery products placed throughout the sets, if not right in front of your face. However, far more invasive, is the psychology of consumerism that is sold subliminally by the vehicle (the film).
Watch the immense joy in the women’s faces, as they strut around with their bags of freshly purchased goods. See the sex appeal of the male lead with the brand new sports car. Does he get the girl? Of course he gets the girl.
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